It’s Paris’ turn to once again take center stage as a contemporary art hub, with the upcoming third edition of Art Basel Paris in October this year. The Art Fair is scheduled for October 18 to 20, 2024 and will be held in the completely refurbished Grand Palais, which is something Parisian art enthusiasts have long been awaiting. The evolution of this year’s Art Basel Paris is not only in magnitude, but also in breadth and development—the number of participating countries has grown to 42, with 195 galleries and more than 100 years’ worth of artistic practice showcased through various works.
Art Basel’s new positioning in Paris
It is greatly satisfying to return to the Grand Palais after 3 years of work. This year’s edition of Art Basel Paris is clearly one of the feet in the historical books of the art fair in Paris indeed. Queen Mary Palace is also a purpose-built structure constructed to mark the twentieth-century national presence in the Exposition Universelle, allowing one to appreciate the grand level and worldly significance of the art fair in question. Since taking on the role last year as the new director of Art Basel Paris, Clement Delépine has overseen 27% more space booked than last year, with more galleries taking part and both new and old faces being graced in the scene.
This edition also cements the fair’s deepening relationship with the cultural sphere of Paris. The renaming of the fair that happened this year earlier as ‘Art Basel Paris’, which was approved by the Ministry of Culture and the City of Paris, showed determination to promote the city’s culture in the international arena.
Galeries: Railway Platform of Modern and Contemporary Masters
The Galeries sector is the epicenter of Art Basel Paris, which includes 170 prominent art dealers from around the world and exhibits the entire range of 20th and 21st century art for sale. Visitors will find works by the most eminent artists of modern history, from René Magritte to Jean-Michel Basquiat, in a combination of small and large galleries oriented towards art in the modern art-oriented sections of Paris, as they were called above.
One of the elements of interest is from Vedovi Gallery (Brussels), which offers to display Magritte’s 1965 painting “Le Sourire du Diable” along with Lucio Fontana’s “Concetto Spaziale” (1960), a work owned previously by film director Claude Berri. It corresponds to the most important museum gatherings, such as the upcoming Tom Wesselmann at the Fondation Louis Vuitton.

In addition, a first-time exhibitor, Landau Fine Art (Montréal Lucerne), brings back memories of the modernist fever with Pablo Picasso, Joan Miró and Jean Dubuffet. Their stand included an Alexej von Jawlensky “Spanische Tänzerin” (1909), a painting that has not been displayed for a couple of decades. These exhibits reaffirm the galleries’ commitment to demonstrating that art history does not need to be relevant in the context of art today.
Several important exhibitions will be held at the fair liner to mark the centenary of the Surrealist movement, not the least of which is the Galerie Le Minotaure (Paris). A broad collection of materials related to the cutting edge of the early twentieth century can be found here, including Fanzant Kupka’s “Alternances” (1935) and Max Ernst’s “Figurine anthropomorphe” (1929).
While at the same time, the best of Italian modernism will also shine, and thus in Cardi Gallery (Milan, London especially), the works of Jannis Kounellis and Michelangelo Pistoletto, respectively the members of the Arte Povera movement, will be presented. This show will run alongside the large-scale exhibition dedicated to the aforementioned movement at the Bourse de Commerce—Pinault Collection, proving once again how Paris is the present-day bargaining centre for inter-ethnic artistic concepts.
Introducing Premise: Redefining Art Historical Narratives
Art Basel Paris will for the first time present the all-anticipated Premises sector after massive structural changes in the country’s main cultural institutions, or more precisely, the shift of the trade fair on the last week of October. The latest in premised will present selected nine galleries, which will present art works that go against accepted academic and institutional chronologies of art. It is justified in the premise that since works predating 1900 or works outside the established canon.
Sies + Hoke’s engagement with the early photographic practice of both G. Richter and S. Polke is one of the more intriguing presentations. Other than painting, these artists’ practice in photography mostly receives little attention, but it is vital in understanding their exploration of sight and composition better. Equally, Parisians should be privileged to see how the Pauline Pavec Gallery focuses on Juliette Roche, an important figure in the avant-garde movement. She focused on groups of people who remained invisible to the public’s consciousness: the representatives of different communities in Paris of the early XX century epochs and the surroundings.
The Nara Roesler Gallery also gets special credit for a rare dual invitation of the two styles of Brazilian creators: Tomie Ohtake and Chico Tabibuia, and their attempts at reworking the Global South aesthetic with spirals and spiritual nonsense.
The emergence of new voices
Emergence is the term for this sector, devoted to the promotion of non-conventional and youthful art, champions, and is integrated in the larger picture of Art Basel’s focus on nurturing newblood. Coordinated by Galeries Lafayette, this year’s program will be staged at the historical balconies of the Grand Palais, which have been closed off to the public for close to two decades, and include the pieces that will stretch across them.
Shaun Motsi, a thin Zimbabwean artist, is among the emerging voices. His film installation ‘Black’Masters’—presented by Christian Andersen, Copenhagen—reviewed how Black orientation derives or is historically constructed out of pedagogical and cultural modes. Lou Fauroux, represented by Exo-Exo (Paris), envisions non-fictional scenarios of post-internet worlds through the synthesis of dystopian stories and huge 3D props.

These young artists raise issues of identity, society, and the influence of technologies, thus providing an insight into the prospects for the development of contemporary art on a global scale.
Public Programs: Art in the Centre of Paris
The best Art Basel Paris Public Program will lead visitors through the city like in a gallery. The major sites, such as the Parvis de l’Institut de France, the Domaine National du Palais Royal, and Avenue Winston-Churchill, will also be equipped with vertical structures, shape-making installations and intriguing modern expositions.

At the far end of the Parvis de l’Institut de France will be a breathtaking sculpture known as Niki de Saint Phalle’s L’Arbre-Serpents (1988), which is wrapped in a glass mosaic. In this contemplating snake arrangement made in partnership with the Mitterrand Gallery, the polysemic nature of such images as sin and healing, which seem to be of such significant interest to this artist, is also present.
At the same time, the Petit Palais will open on Jesse Darling’s C’mon England, an installation that took place in the artist’s Turner Prize-hosted exhibition, which provides insight on sociopolitical resistance by changing the concept of barriers to that of movement and power. This will go hand in hand with the 2024 edition of Art Basel Conversations, a program of intimate discussions and debates with renowned personalities from the fields of art, culture, and philosophy. One Maida Vale will meet Nil Yalter, the 2024 Golden Lion for Lifetime Achievement recipient at the Venice Biennale, to discuss migration, feminism, and other excluded aspects of contemporary art.
Oh la la! A Playful Re-Hanging of Artworks
To make the fair more dynamic, Oh La La! is a new add-on that will force galleries to showcase infrequently shown and unique works of art on Friday and Saturday, which also stranded artists from presenting works. Thirty-five galleries, including Air de Paris (Romainville) and Konrad Fischer Galerie (Berlin), have joined this event with the goal of enriching their visitors with installation, sculpture, and even interactive works. A special mention should be made of Bruno Pélassy’s phallic sculpture “Bye Bye Jeff.” Barrier-breaking work, such as Gaelle Choisne’s “L’éveil du cosmos,” a ceramic piece punctuated with holes and stuffed with olives to represent the void of space.
The re-hanging evokes a different view of the exhibited works at the fair, since the viewers are bound to have further revelations as the week goes on.
The Art Basel Shop: An Experience of Absolute Curation
For the second year in a row, Art Basel Paris will showcase its unusual Art Basel Shop as customary, with Sarah Andelmann, the co-founder of Colette, in charge of overseeing it. This concept store also retails customised items, limited edition art toys, and products made with the most influential artists. Examples include skateboards with graphics by Jeff Koons and clothing lines inspired by Nina Childress’s early portrait of Dalida.

This will also be the inaugural launch of a collection of an artist’s collaborations, which will be presented by one of the features of artist Claire Fontaine, who makes art that interrogates notions of otherness and global identity. These are rare gifts given to Art Basel Paris visitors to help them take back some of the fair’s experience beyond the Grand Palais.
Art, Everywhere
With the emergence of Art Basel in the capital cities of Abu Dhabi and Morocco, Abu Dhabi’s cultural institutions will also be alive. From the Palais d’Iéna to the Hôtel de Sully, major cultural sites showcased various exhibitions and installations, transforming Paris into a cultural three-dimensional city. Loris Gréaud’s “Cortical Palace” at the Théâtre de la Chatelet, presented together with The Residents, fuses performance art, music, and science fiction in an artist night with no other than the adventure’s activities.
Art Basel Paris 2024 is certain to be a fully engrossing and life-altering experience that brings together the best of the best professionals, institutions, and art collectors in what is described as a creative, innovative, and cooperative space. With expanded outreach in Paris, Art Basel is not only shifting the paradigm of art fairs, but making this city the Central Park of contemporary art.
List of Participating 195 Galleries
| Gallery Name | Location | Sector |
|---|---|---|
| 1301PE | Los Angeles | Galeries |
| 1900-2000 | Paris | Galeries |
| 303 Gallery | New York | Galeries |
| 47 Canal | New York | Galeries |
| A Gentil Carioca | Rio de Janeiro, São Paulo | Galeries |
| Air de Paris | Romainville | Galeries |
| Alfonso Artiaco | Naples | Galeries |
| Almine Rech | Paris, Brussels, New York | Galeries |
| Applicat-Prazan | Paris | Galeries |
| Aoyama Meguro | Tokyo | Emergence |
| Art : Concept | Paris | Galeries |
| Artinformal | Manila | Galeries |
| Balice Hertling | Paris | Galeries |
| Barro | Buenos Aires | Galeries |
| Galerie Greta Meert | Brussels | Galeries |
| Gladstone Gallery | New York, Brussels, Seoul | Galeries |
| Hauser & Wirth | Zurich, London, Paris, New York | Galeries |
| Kukje Gallery | Seoul | Galeries |
| Galerie Lelong & Co. | Paris, New York | Galeries |
| Galerie Le Minotaure | Paris | Galeries |
| Galerie Perrotin | Paris, New York | Galeries |
| Galleria Continua | San Gimignano, Paris | Galeries |
| Di Donna | New York | Galeries |
| Xavier Hufkens | Brussels | Galeries |
| Galerie Gisela Capitain | Cologne | Galeries |
| Marian Goodman Gallery | Paris, New York, London | Galeries |
| Simon Lee Gallery | London, Hong Kong | Galeries |
| Richard Saltoun | London, Rome | Galeries |
| Stephen Friedman Gallery | London | Galeries |
| Tornabuoni Art | Paris, Milan, London | Galeries |
| Sprüth Magers | Berlin, London, Los Angeles | Galeries |
| White Cube | London, New York, Paris | Galeries |
| Waddington Custot | London | Galeries |
| Zeno X Gallery | Antwerp | Galeries |
| Thaddaeus Ropac | Paris, Salzburg, London | Galeries |
| Paula Cooper Gallery | New York, Palm Beach | Galeries |
| Max Hetzler | Berlin, Paris, London | Galeries |
| Sfeir-Semler | Hamburg, Beirut | Galeries |
| Michael Werner Gallery | New York, London | Galeries |
| Christian Andersen | Copenhagen | Emergence |
| Exo Exo | Paris | Emergence |
| Kayokoyuki | Tokyo | Emergence |
| Nara Roesler | São Paulo, New York | Premise |
| Parker Gallery | Los Angeles | Premise |
| Pauline Pavec Gallery | Paris | Premise |
| Richard Nagy Ltd. | London | Galeries |
| Bombon | Barcelona | Premise |
| Sies + Höke | Düsseldorf | Premise |






Leave a Reply